Tuesday, 14 July 2026

Abigail's Party

 Monday 13th July 2026

Curve, Leicester

 

‘It’s not a question of ignorance […]

 it’s a question of taste!’

 

The quote above encapsulates the thematic tussles and sharp tones at play in Mike Leigh’s seminal 1977 play, Abigail’s Party. In an era of both upward mobility (the rise in homeowners, and increasing multiculturalism thanks to the Windrush generation and migration of Asian Ugandans) and stark deprivation (this was the decade that witnessed the three-day working week and the Winter of Discontent) Leigh’s play focused a lens on the outward social and cultural mores that mask hidden darknesses in British suburbia. Yet, nearly 50 years on the play continues to entertain audiences in its familiarity, humour and bite. Nadia Fall’s latest revival (touring the UK before a short stint in the West End) delivers on laughs while homing in on the current of dissatisfaction at the heart of Leigh’s characters.

Glamourous Beverley and her aspirational estate agent husband, Laurence, host a drinks evening for new neighbours, Angela and Tony. They are soon joined by divorced mum of two, Sue, while her teenage daughter hosts her own raucous party at home. As the evening unfolds, facades slip in hysterical and poignant fashion. Peter McKintosh’s design feels authentically 70’s - a sea of warm colours, furnished in teak veneer and beige leather – which is occasionally brought into stark relief via Howard Harrison’s strobe lighting.

The small ensemble cast all gel well and share impeccably tight comic timing. Kevin Bishop’s posturing Laurence is all show with little substance, as he shows off his unread gold-embossed copies of Shakespeare. Bishop’s wandering accent is a nice touch that hints at Laurence’s insecurities. In contrast, Omar Malik is quietly intimidating beneath Tony’s monosyllabic, pretty-but-dumb appearance. Yet, it is the women who unashamedly steal the show. Lauren Patel is wildly funny as the outwardly naïve and tactless Angela. Initially a dim-witted puppet echoing the thoughts of the older and apparently more sophisticated Beverly, Patel excels in offering glimpses into the loneliness of her marriage to Tony – when Beverley gleefully jibes ‘is he often violent?’, her meek response, ‘no, just a bit nasty’ is quietly heartbreaking. Furthermore, during the dramatic denouement, the tables are turned and Angela becomes the pivotal player, and Patel again exposes the hidden depths of the character. Tamzin Outhwaite gives her all, holding court as the horrific Beverley, visibly fracturing before our eyes as she tries to control her curated image of cultured tastelessness and force her idea of ‘fun’ on those around her. Her oft repeated catch phrases ‘great!’, ‘have a little [coffee/cigarette/dance]’ and ‘know what I mean?’ add to the level of hysterical tension as she progressively speaks through gritted teeth and rictus grin.

 

 

 

Fall’s direction plays up the laughs and cringe-inducing faux-pas but ramps up to a climax of awkward realisation – we’re still giggling when it dawns on us that the action on stage is not funny anymore. Our final perspective is upended and we’re humbled, driven to sympathise with the overbearing yet vulnerable Beverley. Leigh’s play works because the characters are instantly recognisable as stalwarts of the British middle-classes, they are brash at times but emerge as fully rounded people. It may seem trite to compare two such well known classics, but I was at times reminded of Albee’s Who’s Afraid of Virginia Woolf in the play’s exploration of marriage (not to mention the level of alcohol consumed!), albeit Leigh imbues the bitterness of stale relationships with a very British wit and ‘kitchen sink’ authenticity. I have never seen the famed BBC adaptation of Abigail’s Party, but I can see now why it’s such an enduring and beloved piece of homegrown drama. Fall and co. present a highly polished revival featuring some knock out performances that highlight the resonance of Leigh’s themes in today’s society.

 

Abigail’s Party plays at Curve, Leicester until 18th July. For more information, please visit https://www.curveonline.co.uk/whats-on/shows/abigails-party-2/ 

It plays the Harold Pinter Theatre from 12th August - 19th September.



Tamzin Outhwaite in Abigail's Party. Credit: Ellie Kurttz