Curve, Leicester
9th May, 2022
“The snow’s coming down thick”
The Cornley Polytechnic Drama
Society are back again with their production of the classic thriller The Murder at Haversham Manor, which we
last reviewed on tour in 2017. You’d think the society would have had a lot of
time to sort their act out since then. But I’m delighted to say that, in the
time that’s passed, it’s still an utterly calamitous affair: two hours of under-rehearsed
amateurs upstaging each other on a dangerous set in a rickety war-horse of a
play. But of course, it isn’t really! This is The Play that Goes Wrong, a farce that’s hilarious from start to
set-crashing finish in which a terrible amateur drama society attempts to stage
a 1920s’ murder mystery.
The Mousetrap was one of
the last plays we saw before the pandemic. It was the first time my wife had
seen it but she had seen The Play that
Goes Wrong. I admit there were parts of it where we found ourselves holding
back laughing which reminded us of The
Murder at Haversham Manor. In The
Play that Goes Wrong, every element of a theatrical farce is wrung to its
full potential: Actors wrestle with bits of the set falling apart, doors become
stuck, characters mistime their entrances and get lost in the script. Colin
Burnicle is particularly impressive as the Director-cum-Inspector. He has the
farceur’s knack of trying to keep everything together when it’s clearly falling
apart, and is especially funny in a 10 minute side-track dealing with hecklers
in the audience. Aisha Numah and Beth Lilly also play off each other really
nicely as the stagey actress Sandra and the ASM who gets a taste of her
limelight. Kazeem Tosin Amore is also very funny as Robert, an actor who’s
love for the game is tested to the limit when forced to drink numerous glasses
of white spirit and is almost crushed by furniture on a collapsing platform.
But this is an ensemble piece and the whole company make it look effortless. Mischief
Theatre’s original show remains an unstoppable sensation ten years on from its
premiere in a pub theatre. Now a global hit and having spawned a BBC series and
other Goes Wrong spin offs, this
latest tour maintains its breathless energy. It’s also great to see it flourish
at a time when the mid-large scale touring market is struggling.
When I first saw the West End
production, I noted that what really drives the play’s momentum is the notion
of carrying on, something which many amateur or student drama groups have enjoyed
(perhaps endured!). In farce, no one particularly wants to be in the position
that they’re in. But what makes The Play
that Goes Wrong special is that, as hapless as the characters might be, they
are doing it for the love of theatre. The idea of carrying on, that the show must go on, has gained new
relevance in the past couple of years, and this show is all the more joyous for
it!
The Play
that Goes Wrong plays at Curve, Leicester, until 14th May
as part of a UK tour. For further dates, please visit https://www.mischiefcomedy.com/theplaythatgoeswrong-uk-tour/uk-tour/tour-dates
Members from the original cast are
returning to the production in Manchester (30th May-4th
June) and Newcastle (6th-11th June).
Colin Burnicle in The Play that Goes Wrong. Credit: Robert Day |
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