To me, the WhatsOnStage.com Awards always seem a
less-sophisticated version of the Oliviers, but some might say a more fun
version of them. The only theatre awards voted for by the theatre-going public
were this year ‘presented’ by One Man, Two Guvnors star Rufus Hound, The Great
British Bake Off presenter Mel Giedroyc and the understandably-flustered
Terri Paddock, all three of whom seemed to think that the awards were aimed at
an adult audience. The guest performers included Tim Minchin, Melanie C, the
casts of The Bodyguard and Top Hat, but unfortunately anyone
watching on the live stream (most of us) didn’t get to see any of them but
instead were treated to unrevealing interviews with the winners, most of which had
just walked away from the stage being insulted by the hosts.
Aside from these problems, the WOS Awards are interesting as
they reveal what and who is most popular with the voting public. So, when
Sheridan Smith and Stephen Fry received the Best Actress and Best Supporting
Actor awards respectively, it was perhaps no surprise. What was a surprise
though was Rupert Everett being voted Best Actor for his role as Oscar Wilde in
David Hare’s The Judas Kiss. This is
not because he didn’t deserve it, in fact critics have said that this is
probably the performance of his career, but he certainly had tough competition.
I saw David Haig’s King George III, David Suchet’s James Tyrone and Mark
Rylance’s Olivia and they were all some of the best performances I’ve seen in
the theatre.
The real winner, once again, is subsidised and regional
theatre. The Old Vic’s Hedda Gabler,
Menier Chocolate Factory’s Abigail’s
Party, Shakespeare’s Globe’s Richard
III/ Twelfth Night, National
Theatre’s The Curious Incident of the Dog
in the Night-Time, Royal Court’s Constellations
and Chichester Festival Theatre’s Sweeney Todd all won major awards tonight and all deservedly so. In particular,
Jonathan Kent’s production of Sweeney
Todd swept five awards which reflected its critical acclaim last summer and
the fan base of Michael Ball and Imelda Staunton.
In terms of omissions, I was surprised Laurie Metcalf didn’t
get a mention for her performance in Long Day’s Journey into Night and Simon Russell Beale in the National’s Timon of Athens – both of which I
imagine will triumph in the Olivier nominations this March. Furthermore, considering
two of the West End’s long runners (Blood Brothers and Chicago) closed last
year, it would have been nice to see them celebrated in some way although
congratulations go to Les Miserables
for winning two awards tonight. And also to Danny Boyle for his amazing
Olympics Opening Ceremony although I still don’t quite see why it was legible
for one.
Something we did learn tonight was that The Ladykillers might be making an announcement soon, which I
suspect will be that it’s returning to the West End, as rumoured last year.
Well, here’s to the next 12 months in the theatre. I’m merely
guessing that the 2014 awards will be dominated by The Book of Mormon, Once,
Sheridan Smith (once again) and David Walliams, and the Michael Grandage
Company.
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